Posters&graphics

30 Pins
·
2y
an abstract pattern with blue, purple and green circles on black background in square format
Matt W. Moore
the lines are black and white in color
Josef Albers - Rhythm (1956)
three pieces of paper that have been folded together
vjeranski
a black and white drawing of a tree with red arrows in it's center
樹上
an image of a light coming out of the sky with text that reads skalped transit
Spotify - Web Player: Music for everyone
If Music Was That Easy · Skalpel
the words quick and slow are made out of gold metal rings on a white wall
Frith Kerr
an orange print with the words boop on it in white and wood frame,
'Ooops' Framed Poster - Coni Della Vedova | Art.com
Framed Poster: Ooops by Coni Della Vedova : 19x13in
two orange pieces of art on a white wall with no one in the photo looking at them
Carmen Herrera - Biography, Shows, Articles & More | Artsy
Carmen Herrera - 11 Artworks, Bio & Shows on Artsy
a black circle on a white background
yes
flasd: Ellsworth Kelly
an abstract painting with red lines in the center and cross on it's side
Carmen Herrera Exhibit Offers Joy of Pure Abstraction and More | Hamptons Art Hub
I saw her beautiful show at the Whitney. "The Way" by Carmen Herrera, 1970.
a blue and red object on an orange background
Ellsworth Kelly - Untitled
an abstract painting in white and green on a wall with a wooden floor next to it
Carmen Herrera - Biography, Shows, Articles & More | Artsy
Carmen Herrera - 11 Artworks, Bio & Shows on Artsy
a green and black painting on a white wall
Carmen Herrera — ARRATIA BEER
1978 Carmen Herrera Wednesday
an abstract painting hangs on the wall next to a wooden floor in a white room
Ethan Cook
a red, blue and black circle on a white wall with an arrow in the center
Tiqui Atencio Delves into the Mysteries of Collecting Art
Tiqui Atencio says “I really wanted a Carmen Herrera, as I loved her works and I had missed out on the first opportunity that I was given to acquire one. It was her first exhibition at the Latin Collector Gallery. She was in her late eighties, and no one had heard of her. A couple of years later, I went to Tony Bechara’s studio, and there I fell in love with Horizontal, 1965, again.”