Petra Krejčí
Další nápady od uživatele Petra
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3d729178a30a69dc1b62d09cff8cce26.jpg 768 × 1 024 pixels

Organic Lounge Chair By Michael CK Chan. @designerwallace

Organic Lounge Chair By Michael CK Chan. @designerwallace

Double Exposure Portraits by Brandon Kidwell | Inspiration Grid | Design…:

Double Exposure Portraits by Brandon Kidwell | Inspiration Grid | Design…:

Saved photos – 1,060 photos

Saved photos – 1,060 photos

Isotopes v.2 by Nonotak Studio

Isotopes v.2 by Nonotak Studio

Post it installation papel instalacion notas habitacion

Post it installation papel instalacion notas habitacion

A beautiful image that kind of represents what I was seeing during my PTSD symptoms. I frequently was experiencing flashes of light, then embraced (and eventually painted) the possibility that a soul under duress might actually be seeing glimpses of divine light. I surrendered to it & eventually passed through it.

A beautiful image that kind of represents what I was seeing during my PTSD symptoms. I frequently was experiencing flashes of light, then embraced (and eventually painted) the possibility that a soul under duress might actually be seeing glimpses of divine light. I surrendered to it & eventually passed through it.

Matching the horizon with white binding on trees. Just bizarrely amazing.

Matching the horizon with white binding on trees. Just bizarrely amazing.

Kurt Perschke's Red Ball Project   http://www.juxtapoz.com/Street-Art/kurt-perschkes-red-ball-project

Kurt Perschke's Red Ball Project http://www.juxtapoz.com/Street-Art/kurt-perschkes-red-ball-project

Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.

Starting as an empty white room, Roman Ondak’s Measuring the Universe at Tate St Ives has grown through the contribution of around 90’000 participants to a constellation of black marks. Through the simple action of measuring oneself, Ondak’s work doesn’t just expand on ideas of space and the universal but also the personal, creating a growing living artwork that questions just what a museum is for.