Graphic design exhibition

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a wall with several different types of posters on it

What We Talk About When We Talk About Graphic Design Jarrett Fuller What We Talk About When We Talk About Graphic Design is a multi-platform project interested in the intersection of design criticism and practice. Through a weekly podcast called Scratching the Surface, I interviewed designers, writers, critics, educators, and curators about the role of design criticism, writing, and discourse in the design profession. By creating a survey of contemporary design discourse, the podcast…

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a poster with different types of letters and numbers on it, all in black and white

The Architectural League of New York has opened its online exhibition featuring original work by the six winning designers and studios of the 2023 League Prize for Young Architects + Designers. Titled Uncomfortable, the exhibition will be complemented by a series of lectures and interviews...

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there is a sign that says restaurant garden and scissors next to it on the wall

Flaneri is a cursive script-like typeface that invites references born after industrialization to find its place. Torn between the human stroke and its translation into the machine, it steps into a world where authenticity is becoming harder to detect, and a longing for “human made” becomes greater. While wandering around many places, Flaneri finds inspiration in everything from Jan van de Velde’s art of writing to my grandmother’s and my own handwriting, the digital translation carries…

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a hand holding an open book with orange and pink designs on it's pages

On the occasion of the centenary exhibition original bauhaus (6 September 2019 – 27 January 2020) at the Berlinische Galerie, a leaflet (leporello) was commissioned by the Bauhaus Agenten, set in HAL Matex by Hanzer Liccini.

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two people standing in front of a wall covered with posters

At a Hammer Museum panel last month, Willem Henri Lucas introduced himself, Gail Swanlund, and Brian Roettinger as three L.A.-based designers who were about to discuss a current exhibition of contemporary graphic design in which none of them were included. Asking the audience to keep that perspective in mind, Roettinger, SCI-Arc’s former design director, observed that, with its East Coast and European emphasis, the show was missing—ahem!—a big chunk of the field. Swanlund als

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an open book with drawings on it and arrows pointing to the light at one end

This is something really interesting that I came across today while digitizing various material here at The New York Public Library - (where I work as Head Photographer doing digital archiving and reproduction photography of fascinating items from the various collections). This "Fundamentals of Exhibition Design" was written in 1937 by Herbert Bayer (a graphic designer, typographer, photographer, painter, environmental designer, sculptor and exhibition designer). It brings up some thought…

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