Alice neel

Date: Tuesday, June 15, 2010 Time: 3:30 PM Location: Rare Book Room Contact Information: Kelly Wooten, 919-660-5967 or kelly.wooten(at)duke.edu The summer research project season is in full swing! Next Tuesday, Katie Anania, graduate student in Art History at the University of Texas-Austin and recipient of a Mary Lily Research Grant, will discuss her research on … Continue reading Drawing Feminism →

Part chronological and part thematic, “Alice Neel: People Come First,” on view through Aug. 1, presents close to 100 works in Neel’s signature style.

Alice Neel (USA 1900-1984) Priscilla Johnson (1966) oil on canvas 178 × 76.2 cm

New York. The Metropolitan Museum of Art [The Met Breuer]. "Unfinished: Thoughts Left Visible," March 18–September 4, 2016.New York. The Metropolitan Museum of Art. "Alice Neel: People Come First," March 22–August 1, 2021

Alice Neel - Carmen and Judy, 1972

Author and art historian Katy Hessel on the American artist's portraits of her family.

Alice Neel artist page, L.A. Louver gallery

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The first retrospective of painter Alice Neel in two decades is scheduled to come to San Francisco in 2022.

ALICE NEEL - "Dorothy Pearstein" (1973)

View Plant in the Window (1964) By Neel Alice; Oil on canvas; 60 by 36 in; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.

Alice Neel’s portraits are rarely serene but always memorable. The new book Painter of Modern Life demonstrates how her early paintings range from the unsettling to the disturbing. Her later paintings largely eschew melodrama, but they are always uneasy, inviting the viewer into a direct and often alarming intimacy with their subjects. Awkwardness abounds, and with it sometimes dark comedy.

The late artist was a true radical—for the way she lived her life and for what and how she painted.

Artist Quote of the Week – Alice Neel

Born this day in 1900, Alice Neel captured Andy after his shooting - just one of her many overlooked masterpieces

Alice Neel, Phil Bard, 1957

The staff of ‘The Paris Review’ attends the Alice Neel retrospective, reads ‘Hurricane Season’ in one sitting, and delves into the world of Bud Smith.