Zao Wou-Ki - Et la terre était sans forme (And the Earth was Shapeless), 1956-57. Chaos at the moment of creation: “As subject matter, nature has been embedded in Zao’s art from the start…As he started to develop his own style, he turned to visualizations of elements of nature that can’t be seen,” says Elizabeth Upper in, “Zao Wou-Ki and the Nature of Art,” featured in Above Magazine.