Petra Faltynkova
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Recreation of Marie Antoinette's court gown (Robe de cour) as painted by Vigee LeBrun in 1779. By Atelier Caraco Canezou for an exhibition in Japan

Recreation of Marie Antoinette's court gown (Robe de cour) as painted by Vigee LeBrun in 1779. By Atelier Caraco Canezou for an exhibition in Japan

The Tempietto c. 1502, Architect Donato Bramante, San Pietro in Montorio, Rome, Italy  http://confinedlight.ca/

The Tempietto c. 1502, Architect Donato Bramante, San Pietro in Montorio, Rome, Italy http://confinedlight.ca/

Nightmare Before christas - emoticonos

Nightmare Before christas - emoticonos

Dress ca. 1900-05. Silk satin, tulle, beads, sequins, chenille. Three pieces: bodice, skirt, belt. Bodice lined in brown cotton, skirt lined in black wool. Dress is poorly put together; it was probably made quickly for an event, with tulle sewn onto an old satin gown. Mode Museum, Antwerp

Dress ca. 1900-05. Silk satin, tulle, beads, sequins, chenille. Three pieces: bodice, skirt, belt. Bodice lined in brown cotton, skirt lined in black wool. Dress is poorly put together; it was probably made quickly for an event, with tulle sewn onto an old satin gown. Mode Museum, Antwerp

Circa 1898 evening gown by Jean-Philippe Worth: satin, lace, embroidery with rhinestones, and gold thread. Via Bunka Gakuen Costume Museum.

Circa 1898 evening gown by Jean-Philippe Worth: satin, lace, embroidery with rhinestones, and gold thread. Via Bunka Gakuen Costume Museum.

Jacques Doucet was commissioned to “translate” the feeling of Robert de Montesquiou’s poem “Les Hortenses Bleues” (The Blue Hydrangeas) into an evening gown. Between 1897 & 1906 he made this dress. Wide, square neckline, short wide sleeves, and embroidery on front and back of the bodice and front of the skirt. Silk satin and tulle with silver paillettes, embossed cabochons, and silk chenille and silver lamé and thread embroidery. Musée Galliera, Musée de la Mode de la Ville de Paris.

Jacques Doucet was commissioned to “translate” the feeling of Robert de Montesquiou’s poem “Les Hortenses Bleues” (The Blue Hydrangeas) into an evening gown. Between 1897 & 1906 he made this dress. Wide, square neckline, short wide sleeves, and embroidery on front and back of the bodice and front of the skirt. Silk satin and tulle with silver paillettes, embossed cabochons, and silk chenille and silver lamé and thread embroidery. Musée Galliera, Musée de la Mode de la Ville de Paris.

Dinner dress, Levillon, Paris, ca. 1875. Burgundy silk brocade and purple silk satin with beadwork. Western Reserve Historical Society: “This two-piece dress of rich tones in complimentary textures embodies the Victorian belief that dress should add to one’s elegance. It was custom made in Paris.”

Dinner dress, Levillon, Paris, ca. 1875. Burgundy silk brocade and purple silk satin with beadwork. Western Reserve Historical Society: “This two-piece dress of rich tones in complimentary textures embodies the Victorian belief that dress should add to one’s elegance. It was custom made in Paris.”

beautiful bustle dress

beautiful bustle dress

~~Stand to attention! | ground squirrel under a red poppy | by Oliver Geiseler~~

~~Stand to attention! | ground squirrel under a red poppy | by Oliver Geiseler~~