Constantin Brancusi (1876-1957) was one of the founding figures of modern sculpture and one of the most original artists of the twentieth-century. His groundbreaking carvings introduced abstraction and primitivism into sculpture for the first time, and were as important as Picasso’s paintings to the development of modern art.Constantin Brancusi  Sleeping Muse 1909-10  Hirshhorn Museum and Sculpture   ADAGR, Paris and DACS, London 2004

Constantin Brancusi (1876-1957) was one of the founding figures of modern sculpture and one of the most original artists of the twentieth-century. His groundbreaking carvings introduced abstraction and primitivism into sculpture for the first time, and were as important as Picasso’s paintings to the development of modern art.Constantin Brancusi Sleeping Muse 1909-10 Hirshhorn Museum and Sculpture ADAGR, Paris and DACS, London 2004

Constantin Brancusi, L'Oiselet II , 1928

Constantin Brancusi, L'Oiselet II , 1928

Constantin Brancusi . torso of a young man, 1923

Constantin Brancusi . torso of a young man, 1923

Brancusi (Romanian sculptor): Bird in Space (1928 version; bronze, limestone and wood). Museum of Modern Art, New York. See also: http://www.pinterest.com/pin/533958099544532902/

Brancusi (Romanian sculptor): Bird in Space (1928 version; bronze, limestone and wood). Museum of Modern Art, New York. See also: http://www.pinterest.com/pin/533958099544532902/

Brancusi.  Ro: "Sunt imbecili cei care spun despre lucrările mele că ar fi abstracte; ceea ce ei numesc abstract este cel mai pur realism, deoarece realitatea nu este reprezentată de forma exterioară, ci de ideea din spatele ei, de esenţa lucrurilor(Brâncuşi). En: "They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things." (Constantin Brancusi)

Brancusi. Ro: "Sunt imbecili cei care spun despre lucrările mele că ar fi abstracte; ceea ce ei numesc abstract este cel mai pur realism, deoarece realitatea nu este reprezentată de forma exterioară, ci de ideea din spatele ei, de esenţa lucrurilor(Brâncuşi). En: "They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things." (Constantin Brancusi)

Constantin Brancusi, The Birdie II, 1928, Marble, National Museum of Modern Art - Georges Pompidou Center, Paris

Constantin Brancusi, The Birdie II, 1928, Marble, National Museum of Modern Art - Georges Pompidou Center, Paris

Constantin Brancusi, L'Oiseau dans l'espace, 1927-1933

Constantin Brancusi, L'Oiseau dans l'espace, 1927-1933

Constantin Brancusi, Portrait of Eileen Lane, c. 1922

Constantin Brancusi, Portrait of Eileen Lane, c. 1922

Constantin Brancusi - Signorina Pogany III (1933)

Constantin Brancusi - Signorina Pogany III (1933)

Constantin Brancusi, Young Bird, Paris, 1928. Bronze on a two-part pedestal of limestone and oak

Constantin Brancusi, Young Bird, Paris, 1928. Bronze on a two-part pedestal of limestone and oak

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