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Brennor's RPG Corner › Forums › Games › Kingmaker: OOC › Resource - Exploration, Cartography, and Map Folio

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Favorite Cartographers: Erwin Raisz

Erwin Raisz map symbols for representing physical geography, such as vegetation and mountains Mapmaking Map design

Beautiful examples of cartographic information design are on display at Radical Cartography. Like the sample above, my favorite are the maps designed by Harold Fisk in 1944 for the Army Corps of Engineers, showing the historical traces of the Mississippi River.

Plate Sheet from the Geological Investigation of the Alluvial Valley of the Lower Mississippi River, by Harold Fisk, 1944

How to draw mountains on Fantasy Maps, by fantasticmaps.com map cartography resource tool how to tutorial instructions | Create your own roleplaying game material w/ RPG Bard: www.rpgbard.com | Writing inspiration for Dungeons and Dragons DND D&D Pathfinder PFRPG Warhammer 40k Star Wars Shadowrun Call of Cthulhu Lord of the Rings LoTR + d20 fantasy science fiction scifi horror design | Not Trusty Sword art: click artwork for source

How to draw, shade, and colour a mountain range

emma mcnally http://socks-studio.com/2012/03/15/emma-mcnallys-fields-charts-soundings-cartographies/

Emma McNally’s Fields, Charts, Soundings Cartographies

emma mcnally http://socks-studio.com/2012/03/15/emma-mcnallys-fields-charts-soundings-cartographies/

This is an 1804 copy of perhaps the first ‘modern’ world map, made by the Venetian monk Fra Mauro in about 1450. It points south because 15th-century compasses were south-pointing. It shows the Portuguese discoveries in Africa and questioned the authority of medieval and classical sources. Intended for display in Venice, it emphasizes the feats of Marco Polo. The British East India Company commissioned this copy, thus implying that Britain was heir to the Portuguese empire.

Magnificent Maps: Cartography as Power, Propaganda, and Art

An 1804 copy of the first ‘modern’ world map, made by the Venetian monk Fra Mauro in about and more magnificent maps as power, propaganda, and art from The British Library.

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