Anna Jožová
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Chihuly- coffe filters attached to form--filters would have to be brushed with modge podge and draped onto something then glue to a cardboard cylinder of sorts

Chihuly- coffe filters attached to form--filters would have to be brushed with modge podge and draped onto something then glue to a cardboard cylinder of sorts

| Chihuly

| Chihuly

Metaphors For Dreaming: Glass Art by Dale Chihuly | http://www.designrulz.com/product-design/2012/10/metaphors-for-dreaming-glass-art-by-dale-chihuly/

Metaphors For Dreaming: Glass Art by Dale Chihuly | http://www.designrulz.com/product-design/2012/10/metaphors-for-dreaming-glass-art-by-dale-chihuly/

Google Image Result for http://www.chihuly.com/Data/Sites/2/PhotoInline/per81_essay.jpg

Google Image Result for http://www.chihuly.com/Data/Sites/2/PhotoInline/per81_essay.jpg

Chihuly Dandelion by tamera

Chihuly Dandelion by tamera

Ship in 1-3 weeks Vase of emerald green blown glass with sandblasted glass bits. Dimension of opening: 0.38". Dimensions: 9″ h x 4″ d About the Artist: Thomas Kelly

Ship in 1-3 weeks Vase of emerald green blown glass with sandblasted glass bits. Dimension of opening: 0.38". Dimensions: 9″ h x 4″ d About the Artist: Thomas Kelly

Dale Chihuly's Vibrant Glass Sculpture Garden - My Modern Metropolis

Dale Chihuly's Vibrant Glass Sculpture Garden - My Modern Metropolis

Mesmerizing Kaleidoscopic Glass Installations by Olafur Eliasson

Mesmerizing Kaleidoscopic Glass Installations by Olafur Eliasson

Scottish sculptor Rob Mulholland has created this art installation at the David Marshall Lodge in Scotland titled Vestige. Mulholland’s idea behind the installation seems twofold: to create a vestige of the people who once occupied the land until following World War I, when they were re-located while forests were planted to generate timber and  to make people reflect upon man’s impact on the nature.

Scottish sculptor Rob Mulholland has created this art installation at the David Marshall Lodge in Scotland titled Vestige. Mulholland’s idea behind the installation seems twofold: to create a vestige of the people who once occupied the land until following World War I, when they were re-located while forests were planted to generate timber and to make people reflect upon man’s impact on the nature.

Hieronymus Bosch, The Garden of Earthly Delights (detail), 1515. Museo del Prado, Madrid, Spain.

Hieronymus Bosch, The Garden of Earthly Delights (detail), 1515. Museo del Prado, Madrid, Spain.