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a pink bedroom with a slide in the middle and lots of rocks on the floor
Ruched Rooms: An Old-School New York Decorating Trick That's Back—With a Twist
Ruched Rooms: An Old-School New York Decorating Trick That's Back—With a Twist | Architectural Digest
a living room filled with furniture and red drapes on the ceiling, along with chandelier
Ruched Rooms: An Old-School New York Decorating Trick That's Back—With a Twist
Ruched Rooms: An Old-School New York Decorating Trick That's Back—With a Twist | Architectural Digest
a large white table with chairs around it in a room that has green walls and blue carpet
Chroma — Apollonia
With its bold strokes of color and gestural application of both accumulation and erasure, Everett’s Untitled (the smoke the feather the bones) strikes a similar juxtapositional balance accomplished throughout the space, effusing palpable chemistry with a custom mural by Rafael Arana beneath the astral plane of WHITE DIRT Studio’s GALA chandelier.
a white object suspended from a ceiling in a room with blue walls and curtains on the windowsill
Chroma — Apollonia
In the GALA chandelier conceived by WHITE DIRT, jewel-like cast brass connections, fabricated by a lost wax technique, gently suspend the unique sculpted paper form in midair.
a table with a donut on it in the middle of a dining room area
Chroma — Apollonia
Chroma — Apollonia
a dining room table with chairs and a painting on the wall behind it, in front of two windows
Chroma — Apollonia
Alex Prager’s Untitled (Parts 1) manipulates attention from the provocative forms of Sebastian Errazuriz’s Porcupine Cabinet as it peeks out from behind a custom verre églomisé dining table by Chroma.
a black bench sitting on top of a blue carpet
Chroma — Apollonia
Sebastian Errazuriz’s Lacquered Maple Porcupine Cabinet perplexes the mind, deliriously satisfying with its myriad, unwieldy yet enticing dimensions.
a chair sitting in front of a wall with two candles on it's side
Chroma — Apollonia
Chroma — Apollonia
the dining room is clean and ready for us to use
Chroma — Apollonia
Chroma — Apollonia
a large white table with black chairs in a blue and yellow dining room, next to a painting on the wall
Chroma — Apollonia
With its bold strokes of color and gestural application of both accumulation and erasure, Everett’s Untitled (the smoke the feather the bones) strikes a similar juxtapositional balance accomplished throughout the space, effusing palpable chemistry with a custom mural by Rafael Arana beneath the astral plane of WHITE DIRT Studio’s GALA chandelier.
a dining room with blue carpet and yellow walls is pictured in this image, there are several chairs around the table
Chroma — Apollonia
Chroma — Apollonia
Shouldered by a mahogany pedestal by The Long Confidence, Roger Herman’s Untitled 122 broods with an instinctual potency against the suave forms of Torpedo Sconces by Carlo Nason for Mazzega. Roger Herman, Carlo Nason, Confidence
Chroma — Apollonia
Shouldered by a mahogany pedestal by The Long Confidence, Roger Herman’s Untitled 122 broods with an instinctual potency against the suave forms of Torpedo Sconces by Carlo Nason for Mazzega.
a dining room table with chairs and a lamp hanging above it in front of two pictures on the wall
VOLUME II
VOLUME II – LES Collection