Lenka Burešová

Lenka Burešová

Lenka Burešová
Další nápady od uživatele Lenka
Indigo Dying with Clarissa Cochran near Saffron Walden UK. www.indigosilks.co.uk

Indigo Dying with Clarissa Cochran near Saffron Walden UK. www.indigosilks.co.uk

83291b7643e5b5b9cd6eb5f0e0ecff36.jpg 772×2.929 píxeles

83291b7643e5b5b9cd6eb5f0e0ecff36.jpg 772×2.929 píxeles

Experimental Weaving - 3D weave sample with repeating wave pattern; woven textiles; fabric manipulation // Moa Hallgren

Experimental Weaving - 3D weave sample with repeating wave pattern; woven textiles; fabric manipulation // Moa Hallgren

//TEXTILE.SYSTEMATISM//

//TEXTILE.SYSTEMATISM//

By Elana Herzog Untitled 3, 2001 Cotton Chenille bedspread, staples in reinforced drywall panel 106 x 84 inches

By Elana Herzog Untitled 3, 2001 Cotton Chenille bedspread, staples in reinforced drywall panel 106 x 84 inches

Gerhard Richter, Abstract image, 1992; Museum Frieder Burda, Baden-Baden © Gerhard Richter, 2015; Photo: Volker Naumann, Schönaich Photos - Museum Frieder Burda

Gerhard Richter, Abstract image, 1992; Museum Frieder Burda, Baden-Baden © Gerhard Richter, 2015; Photo: Volker Naumann, Schönaich Photos - Museum Frieder Burda

When Studioattenzione visited the Dutch Design Week, they entered the world of the C-Fabriek, a new kind of factory set up by designers and innovators. Line 02 by Thomas Vailly is a versatile and low tech way to produce fluid and organic plastic shapes. Latex sheets can be stretched, scaled and blown to create an infinity of fluid volumes. Line 02 is a dialog between 3D-modeling, rapid prototyping, craftsmanship and design.

When Studioattenzione visited the Dutch Design Week, they entered the world of the C-Fabriek, a new kind of factory set up by designers and innovators. Line 02 by Thomas Vailly is a versatile and low tech way to produce fluid and organic plastic shapes. Latex sheets can be stretched, scaled and blown to create an infinity of fluid volumes. Line 02 is a dialog between 3D-modeling, rapid prototyping, craftsmanship and design.

Pandanus Forms 2015 Hand-formed paperclay 560 x 370 x 320 mm

Pandanus Forms 2015 Hand-formed paperclay 560 x 370 x 320 mm

#phil_greed_ceramics #pottery#clay#sculpture#art#form#texture#design

#phil_greed_ceramics #pottery#clay#sculpture#art#form#texture#design

John Mawhinney, ceramic form, Copper glaze treated with hydrochloric acid, Northern Rivers Visual Arts Network, Australia

John Mawhinney, ceramic form, Copper glaze treated with hydrochloric acid, Northern Rivers Visual Arts Network, Australia