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La Passion du Christ

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Religious Painting

Jésus au jardin de Gethsemane

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Le baiser de Judas, Jésus arrêté

21 Pins

Jésus moqué, flagellé

10 Pins

Christ jugé, Ecce homo

14 Pins

Le chemin de croix

14 Pins

Le Christ en croix

93 Pins

Descente de croix, Pietá

37 Pins

La mise au tombeau

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Il est ressuscité

62 Pins

Noli me tangere

21 Pins

L'Ascension

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Manuscript Illumination with the Holy Women at the Tomb in an Initial A, from an Antiphonaryca. 1490–1500 Medieval Manuscript, Medieval Art, Illuminated Letters, Illuminated Manuscript, Italy Culture, Renaissance Architecture, High Renaissance, Late Middle Ages, Maker Culture

Medieval Manuscript

Illuminated Letters

Illuminated Manuscript

Renaissance Architecture

High Renaissance

Late Middle Ages

Manuscript Illumination with the Holy Women at the Tomb in an Initial A, from an Antiphonaryca. 1490–1500

Marco da Sienna 1555 Galleria borghese La Passion Du Christ, Prince Of Peace, Light Of The World, King Of Kings, New Testament, Christian Art, The Originals, Gallery

La Passion Du Christ

Prince Of Peace

Light Of The World

Marco da Sienna 1555 Galleria borghese

Les Très Riches Heures du Duc de Berry Jesus in the garden of Gethsemane f142v c. 1412-1416 This miniature is a very subtly painted mysterious nighttime scene. The only illumination in the garden of Gethsemane comes from the halo of Christ, from a few torches still burning faintly, and from the overturned lantern. On the background falling stars. The scene shows the armed men that came to the olive garden to capture Christ, but fell to the ground when he made himself known. Art Occidental, Falling Stars, Garden Of Eden, Western Art, Westerns, Design Art, Mystery

Les Très Riches Heures du Duc de Berry Jesus in the garden of Gethsemane f142v c. 1412-1416 This miniature is a very subtly painted mysterious nighttime scene. The only illumination in the garden of Gethsemane comes from the halo of Christ, from a few torches still burning faintly, and from the overturned lantern. On the background falling stars. The scene shows the armed men that came to the olive garden to capture Christ, but fell to the ground when he made himself known.

Annibale Carracci, Corpse of Christ, 1583-85 Caravaggio, San Antonio Abad, Annibale Carracci, Crown Of Thorns, Italian Art, New Perspective, Artist Art, Art Reference

San Antonio Abad

Annibale Carracci

Crown Of Thorns

New Perspective

Annibale Carracci, Corpse of Christ, 1583-85

Christ portant la croix, Van Dyck Anthony Van Dyck, Sir Anthony, Jesus Carrying Cross, Cross Paintings, Portraits, Carry On, Jesus Christ, Catholic

Anthony Van Dyck

Jesus Carrying Cross

Cross Paintings

Christ portant la croix, Van Dyck

Hans Memling (Flemish-German born; c. 1430 - 1494) ”The Man of Sorrows in the arms of the Virgin”, c. 1475 - 1479, Oil on panel, 27.4 x 19.9 cm, National Gallery of Victoria, Melbourne, Australia, source: public domain, commons.wikimedia #historiasztuki #historyofart #sztuka #art #piękno #beauty #bellezza #HansMemling Jan Van Eyck, Pierre Auguste Renoir, Robert Campin, Renaissance, Jean Fouquet, Claude Monet, Hans Memling, Hans Holbein

Pierre Auguste Renoir

Hans Memling (Flemish-German born; c. 1430 - 1494) ”The Man of Sorrows in the arms of the Virgin”, c. 1475 - 1479, Oil on panel, 27.4 x 19.9 cm, National Gallery of Victoria, Melbourne, Australia, source: public domain, commons.wikimedia #historiasztuki #historyofart #sztuka #art #piękno #beauty #bellezza #HansMemling

Michele Parrasio (before 1516–1578), The Dead Christ venerated by Pius V, c. 1572, oil on copperplate, Height: 42 cm; Width: 30 cm, in the collection of the Prado, Not on display. From the website: “Christ lies dead on a bed beside which Pope Pius V kneels, surrounded by angels. Above them, two angels hold a chalice and a communion wafer, symbols of his death and resurrection. On the lower part of the painting, the skeleton of Adam alludes to the first man and the redemption of Original Sin. Catholic Religion, Catholic Art, Roman Catholic, Catholic Prayers, Religious Images, Religious Art, La Pieta, 5 Mai

Catholic Religion

Catholic Prayers

Religious Images

Michele Parrasio (before 1516–1578), The Dead Christ venerated by Pius V, c. 1572, oil on copperplate, Height: 42 cm; Width: 30 cm, in the collection of the Prado, Not on display. From the website: “Christ lies dead on a bed beside which Pope Pius V kneels, surrounded by angels. Above them, two angels hold a chalice and a communion wafer, symbols of his death and resurrection. On the lower part of the painting, the skeleton of Adam alludes to the first man and the redemption of Original Sin.

The Antwerp Crucifixion representing Christ crucified between two evil-doers, with Mary and John the Evangelist seated on the ground by Antonello da Messina in the Royal Museum of Fine Arts of Antwerp, Belgium (1475). AM painted three versions of this subject: the Sibiu Crucifixion (Romania 1454), The Antwerp Crucifixion and the London Crucifixion, housed in the National Gallery (1475). National Gallery Of Art, Art Gallery, Messina, Italian Painters, Italian Artist, Italian Renaissance, Renaissance Art, Crucifixion Painting, Jean 3 16

National Gallery Of Art

Italian Painters

Italian Renaissance

Renaissance Art

Crucifixion Painting

The Antwerp Crucifixion representing Christ crucified between two evil-doers, with Mary and John the Evangelist seated on the ground by Antonello da Messina in the Royal Museum of Fine Arts of Antwerp, Belgium (1475). AM painted three versions of this subject: the Sibiu Crucifixion (Romania 1454), The Antwerp Crucifixion and the London Crucifixion, housed in the National Gallery (1475).

Detail from The Antwerp Crucifixion representing Christ crucified between two evil-doers, with Mary and John the Evangelist seated on the ground by Antonello da Messina in the Royal Museum of Fine Arts of Antwerp, Belgium (1475). This is the unfortunate evil-doer on Christ's right side. Incredibly capture of bodily suffering. AM painted three versions of this subject: the Sibiu Crucifixion (Romania 1454), The Antwerp Crucifixion and the London Crucifixion, housed in the National Gallery (1475). Local Painters, Renaissance Artists, Salvator Mundi, Interactive Museum

Renaissance Artists

Interactive Museum

Detail from The Antwerp Crucifixion representing Christ crucified between two evil-doers, with Mary and John the Evangelist seated on the ground by Antonello da Messina in the Royal Museum of Fine Arts of Antwerp, Belgium (1475). This is the unfortunate evil-doer on Christ's right side. Incredibly capture of bodily suffering. AM painted three versions of this subject: the Sibiu Crucifixion (Romania 1454), The Antwerp Crucifixion and the London Crucifixion, housed in the National Gallery (1475).

Medieval Books, Medieval Life, Illustrations Vintage, Illumination Art

Illustrations Vintage

Illumination Art

Renaissance Paintings, Blood Art, Christian Artwork, Jesus Resurrection, Biblical Art

Renaissance Paintings

Christian Artwork

Jesus Resurrection

Spanish Painters, Spanish Artists, Creta, Arte Popular, Sacred Art, Art History

Spanish Painters

Spanish Artists

Baroque Painting, Baroque Art, Italian Baroque, Michelangelo Caravaggio

Baroque Painting

Italian Baroque

Michelangelo Caravaggio

max gurevich

La Passion du Christ

Fra Angelico, Religious Paintings, Virgin Mary, Giorgio Vasari, Oil Painting Reproductions

Religious Paintings

Oil Painting Reproductions

Agony in the garden, 1562, by Titian (Tiziano Vecellio, 1485/90-1576) and studio, oil on canvas, w168 x h201 cm, sold by Christie’s in 2019 for USD 2,415,000, currently in the collection of the Colnaghi Foundation, London. Mary Washington, Agony In The Garden, Art Google, Oil On Canvas, Culture, Fine Art, Studio

Mary Washington

Agony In The Garden

Agony in the garden, 1562, by Titian (Tiziano Vecellio, 1485/90-1576) and studio, oil on canvas, w168 x h201 cm, sold by Christie’s in 2019 for USD 2,415,000, currently in the collection of the Colnaghi Foundation, London.

Pietà de Nouans - J. Fouquet 1450-1455 Renaissance Fashion, Saint Suaire, Ghent Altarpiece, Noli Me Tangere

Renaissance Fashion

Ghent Altarpiece

Noli Me Tangere

Pietà de Nouans - J. Fouquet 1450-1455

Pietà de Nouans [Detail] - J. Fouquet 1450-1455 2d Art, French Art, Jeans, Marie, Photo And Video, Pieta, Paintings

Photo And Video

Pietà de Nouans [Detail] - J. Fouquet 1450-1455

POIGNANT PASSING Paolo Caliari (aka Paolo Veronese). Pieta. c. 1576-82. Oil on canvas. 147.0 x 111.5 cm. The Hermitage, St Petersburg. This dark, moody work by the master of color and light, Veronese, is a marvel. Mary, dressed in monastic garb, supports the dead Christ as an angel, backlit by diffused light, holds up his limp, pierced hand. 16th and 17th-century documentation describing a "painting of a dead Christ" indicate this work was first in the church of Santi Giovanni e Paolo, Venice 17th Century, Statue, Marvel, Painting, Diffused Light, Color, Artists

POIGNANT PASSING Paolo Caliari (aka Paolo Veronese). Pieta. c. 1576-82. Oil on canvas. 147.0 x 111.5 cm. The Hermitage, St Petersburg. This dark, moody work by the master of color and light, Veronese, is a marvel. Mary, dressed in monastic garb, supports the dead Christ as an angel, backlit by diffused light, holds up his limp, pierced hand. 16th and 17th-century documentation describing a "painting of a dead Christ" indicate this work was first in the church of Santi Giovanni e Paolo, Venice

The Lamentation, ca. 1520–25, by Ambrosius Benson (active by 1519–died 1550), Oil on canvas, transferred from wood, Dimensions: Shaped top, 36 x 22 1/8 in. (91.4 x 56.2 cm), in the collection of the Metropolitan Museum of Art, on view at The Met Fifth Avenue in Gallery 537. The Met did not share any info on the artist. This info is from the Royal Collection Trust website: “Ambrosius Benson (active c.1519, died 1550) came from Lombardy but worked in Bruges. He was made a master of the Bruges G Canvas Paper, Canvas Prints, Royal Collection Trust, Dutch Artists, Old Master

Royal Collection Trust

The Lamentation, ca. 1520–25, by Ambrosius Benson (active by 1519–died 1550), Oil on canvas, transferred from wood, Dimensions: Shaped top, 36 x 22 1/8 in. (91.4 x 56.2 cm), in the collection of the Metropolitan Museum of Art, on view at The Met Fifth Avenue in Gallery 537. The Met did not share any info on the artist. This info is from the Royal Collection Trust website: “Ambrosius Benson (active c.1519, died 1550) came from Lombardy but worked in Bruges. He was made a master of the Bruges G

Chiaroscuro, Artemisia Gentileschi

Artemisia Gentileschi

Heures de Charles VIII fol. 111V Crucifixion AuthorMaître de Jacques de Besançon XVe siècle Memorare Prayer, Charles Viii, Book Of Hours, Prayers, 1

Memorare Prayer

Heures de Charles VIII fol. 111V Crucifixion AuthorMaître de Jacques de Besançon XVe siècle

The Crucifixion with Six Passion Stories Object typedrawingDate1490Mediumillumination on parchmentCollection National Gallery Prague Maître de Jacques de Besançon Prague, National Gallery, Sea Art, Novelty Gifts, Our Lady, Custom Framing, Pop Culture, Giclee Print

National Gallery

The Crucifixion with Six Passion Stories Object typedrawingDate1490Mediumillumination on parchmentCollection National Gallery Prague Maître de Jacques de Besançon

Mise au tombeau église de Gonesse Author jean Bourdichon XVe-XVIe siècle Illustration, History, Grand Palais, Art, 16th Century, The Hours, Art Background

Mise au tombeau église de Gonesse Author jean Bourdichon XVe-XVIe siècle

Four Gospels, Medieval Paintings, The Cross Of Christ, Bible Stories

Medieval Paintings

The Cross Of Christ

Book Illustrations, Berry, Drawings, Miniatures

Book Illustrations